Tuesday, April 3, 2012

Writing Tip Tuesday

One of the most critical elements of the setup of a story is the catalyst (sometimes called the inciting incident).


The catalyst begins the action of the story.


It is the moment the story begins. The reader now knows what the story is about.


  • The catalyst should come as early in the story as possible.
  • The strongest catalyst is an event or action, but it can also be situational (a series of situations that add up to reveal the story).


I'm a firm believer in jumping right into the story. The longer you take to let the reader know what the story is about, the more you risk losing her.


(Often, however, the reader needs to be grounded in setting and character before the story action begins. In those cases, the catalyst won't necessarily be in the first page or two - but a tad later. The operative word here is tad. You'll want to get the action going ASAP.)


During revision, take a look at your manuscript and see if you can literally point your finger to the very spot where the action of the story starts.


Then ask yourself if that spot is as close to the beginning as possible.


Next, take a look at everything that comes before that spot and ask yourself if it can either come later - or be deleted altogether.


Remember my experience with David Small pinpointing the catalyst of my story - which was two chapters later than it should have been? 

A lesson I've never forgotten.

Recycled from October 16, 2007

5 comments:

Ann Finkelstein said...

Another great Tuesday tip. Perhaps another way to say this is the purpose of the second draft is to get the show on the road.

Leslie Davis Guccione said...

You've made it so easy to understand I'm sharing the whole blog with one of my students.

Leslie Davis Guccione said...

so succinct & well put I'm sharing it with one of my students writing an adult novel. Thanks!

Susanne Drazic said...

Hi Barbara! Great Tuesday tip.

Kirby Larson said...

I see a book on writing in the making. . .